On October 2, 2015, Tapiture sold to Playboy for an undisclosed amount. Tapiture is headquartered in Santa Monica, California. Leo is an investor in Tapiture and a member of its board of directors. Tapiture was spun out and in September 2012, John Ellis was hired as CEO to raise funds and build the business. The site was originally referred to as a "Pinterest for Dudes" and despite skepticism, the site was attracting 1.5 million monthly unique visitors after 6 weeks of its debut. Tapiture įollowing the success of theChive, the brothers launched an early version of Tapiture in the Summer of 2012. Keep Calm and Chive On (KCCO) is modern slang for "don't stress about life, enjoy it." The expression originated during World War II with Keep Calm and Carry On propaganda, but was morphed into a modern pop culture reference revolving around the Chive. In the summer of 2013 Resignation Media relocated to Austin, TX from Los Angeles, California. The family turned theChive into a success with a series of viral hoaxes that were reported by the mainstream media as true. Hailing from Fort Wayne, Indiana, and graduating from Indiana University, Leo now lives in Austin, Texas and works closely with brother John (co-founder of theCHIVE). Resig also co-founded a golf apparel company with actor Bill Murray called William Murray Golf. theChive is a popular men's content and commerce destination and operates native iOS and Android apps. He started the flagship site, theCHIVE, in November 2008 with his brother John Resig. Previously to Atmosphere, Resig served as co-founder and CEO of Chive Media Group, the parent company of The Chive,, , and. He is currently the co-founder and CEO the over-the-top video-on-demand service, Atmosphere.TV. Leo Resig is a U.S.-based entrepreneur in the sectors of digital media, eCommerce, and streaming television. Journalist, editor, internet entrepreneur
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It probably won’t be best for broken or dry skin but it’s quite forgiving otherwise, helping to even out skin tone for a quick trip outside.I was expecting a thick, gooey formula, similar to the excellent Kevyn Aucoin Sensual Skin Enhancer or the slightly thinner and tackier Becca Ultimate Coverage Concealing Creme. Even as an oily skin type I enjoy this for the convenience of speed it offers, and I can overlook the short wear time and use this for short daily outings. I think that whilst this is designed to at least be workable for many skin types, it is NOT for everyone due to personal preference. You could try baking although I think that goes against the point of this concealer. I did try setting a bit with powder, which really didn’t help much as it’s so dewy already. After that, it fades a bit around my cheeks, creases a bit more noticeably, and breaks up a little around my lip area. On my skin, it wears fairly well at about 3 hours. I bought it for a specific scenario in mind, that being those mornings when I am always in a rush to get out of the house and ignore my concealer completely, and then I am dashing off to University for just one lecture before heading to the gym or back home again. But I’m not particularly disappointed with this product at all. It doesn’t cake much at all and never looks overdone.Īs you can probably imagine, this concealer is not ideal for people with super oily skin types who desire long wear, and yes, I happen to be an oily skin type. It does gather at my undereye crease eventually if I don’t set it, but otherwise, the creasing is really not that bad as I have seen worse before. It did, however, smooth pretty well over my larger pores and slightly bumpy areas around my lips. This wasn’t too noticeable from a normal distance though. ‘Healed and prepped’ skin are the keywords here, as I found it didn’t blend seamlessly with the drier areas of my blemishes and accentuated my skin in general when it was dry. It has a soft, dewy finish, and blends into normal, healed and prepped skin very well, looking remarkably like skin, but better. It’s not the most hygienic way of applying makeup though – I did manage to gather some dust in my pot already. I applied it in pressing motions around my eye and other areas I wanted to conceal. I feel as if my fingers don’t pick up a lot but that is fine. As it is meant to be applied with fingers that’s what I used. The concealer itself is very smooth in texture and feels very light. Of course, also great as travel beauty bags. The Glossier concealer comes in a little glass tub, with the Glossier G embossed on the lid. The bubble wrap pouches they come with? A fantastic background in a pinch. Many brands have latched onto this since with brands like Saturday Skin and Wow You giving a similar simple white/pink aesthetic to their product design and marketing, making the perfect pink shelfie that much more possible.Īnyway, my point is that their products are a lot of fun to take photos of, as they’re so damn photogenic. You’re all probably aware of the Glossier aesthetic: light, simple and pink, giving it a lot of Instagram appeal. The ‘orange’ or ‘peach’ tones are definitely a no. Definitely not considered warm although it depends on the tone added to the foundation to make it ‘warm’, and will often get away with neutral-toned makeup. Revolution Define and Conceal Concealer in C6 (Lighter, more neutral).Maybelline Eye Eraser in Light (Slightly light but love the yellow tone that makes this workable).Estee Lauder Double Wear in 1W2 Sand (Pretty much perfect in full coverage).I ended up picking G11, the equivalent of the old shade Light, which just so happens to be perfect. Fab, yes, but a little more hassle finding my shade.Īvailability: On the Glossier website, which offers free UK Shipping for orders over £25 (about 2-3 items) I had been meaning to order it earlier but just as I was going to, they revamped their shade range, expanding it to 12 shades. One item in the package was a repurchase of their Milky Jelly Cleanser, which I love as a gentle second/morning cleanser, and the other item was the Stretch Concealer. As part of a recent birthday haul, I made a small order from Glossier. The chorus talks about an all-out war, and we can see that reflected in the lyrics of the song. The song seems to reflect on the transient nature of life and the inevitability of destruction. The lyrics suggest that there is no escape, and that everything is going up in smoke. The repeated line "burnin' alive" emphasizes the grim tone of the song. The singer talks about a place where there is no hope, where one has to run with a gun, and the only thing left is to watch the place burn down. Ballbreaker marked the return of drummer Phil Rudd, who had played with AC/DC from 1975 to 1983.The lyrics to AC/DC's song Burnin' Alive talk about a scene of chaos and destruction. Rudd had left during the Flick of the Switch sessions due to drug problems and his incompatibility with Malcolm Young. According to Arnaud Durieux's book AC/DC: Maximum Rock & Roll, Rudd attended AC/DC's show in Auckland in November 1991 and, after a friendly meeting with the band backstage, made an "open-ended pitch" to rejoin if anything changed with the band's current drummer Chris Slade. Durieux reports that the band eventually invited Rudd to rejoin and he accepted in August 1994, much to the chagrin of Slade, who had been recording demos with the band in London. Slade told Rock Hard France in June 2001 that he was so disappointed and disgusted that he did not touch his drum kit for three years. Rubin had been a long-time fan of the band former AC/DC engineer Tony Platt recalls overhearing the producer working with the Cult on their 1987 LP Electric: Slade would eventually rejoin the band for their performance at the 57th Annual Grammy Awards Ceremony and the 2015 Rock or Bust World Tour following Rudd's legal issues involving illegal drug possession and threatening to kill his former personal assistant, both of which forced him out of the band a second time.īallbreaker is also significant for being the only AC/DC album produced by Rick Rubin. Rick Rubin was recording the Cult in Studio A and we stood in the airlock just outside the studio. A snatch of Highway to Hell would get played and then a snatch from Back in Black and then a snatch of Led Zeppelin, and we thought, "What the hell's going on there?" said, "Well, he's getting the guitar sounds from Back in Black, the drum sound from Highway to Hell and the voice sound from Led Zeppelin!" Literally, as he was mixing he was getting a guitar sound on the Cult and then comparing it directly with the guitar sound that he wanted to get from Back in Black. Rubin's first assignment with AC/DC had been " Big Gun," which appeared on the soundtrack for the Arnold Schwarzenegger movie Last Action Hero. The song was a hit, becoming Billboard's #1 rock track and hit #5 on the Canadian charts. Production started at the Record Plant Studios in New York City, but the band became dissatisfied with the sound there and moved to Los Angeles' Ocean Way Studios. Getting the right drum sound at the Record Plant had proved impossible, with Rubin even isolating the drums in a tent in the studio and lining the walls and ceiling with material to soak up the extra sound the room generated. Although the band was immediately satisfied with the Ocean Way Studios, Rubin and Malcolm Young clashed over the album's direction, with Rubin demanding as many as 50 retakes on some songs, and rumours persist that Rubin was often absent from the studio and left the band to their own devices while he reportedly saw to the recording of the Red Hot Chili Peppers' One Hot Minute album at the same time. In a 1995 interview with Guitar World, Young played down the tension between him and Rubin, although he did admit to Le Monde in October 2000, "Working with him was a mistake." Mike Fraser was also credited for recording, engineering and mixing the album. Marvel Comics contributed to Ballbreaker's cover art. "Burnin' Alive" was written about the cult followers in Waco, Texas, who were burnt to death in 1993 during a raid by the authorities, while " Hard as a Rock," the album's first single, dated back to the Who Made Who sessions The music video for "Hard as a Rock" was directed by David Mallet and was set at the Bray Studios in Windsor, Berkshire. Steps to download Epson Scanner drivers for Windows 10 manually You need to download the printer drivers from the local website depending on your region since different models are sold in different regions. If the hardware stops performing correctly or hardware isn’t recognized automatically, you need to follow our epson drivers window 10 guide to update drivers either manually, automatically or by using window update.īesides these three options, you can download Free Epson printer driver from its official website.
Here are examples of these common configuration settings that reduce security risks:ĭisabling password-based authentication - choosing this configuration makes brute-force password attacks impossible.ĭisabling root account remote login - This prevents users from logging in as the root (super user) account. In most organization system administrators can disable or change most or all SSH configurations these settings and configurations can significantly increase or reduce SSH security risks. Other common SSH vulnerabilities are exposed via configuration and settings. The bad guy gets access to server 1 and then he/she hunts and pecks until they get access to another server and then repeat until they find something interesting/useful. He can then pivot from server 1 to 2, 2 to 3, etc. Very useful right? But imagine if a bad guy gets access to one server. They can then pivot from server 2 to 3, 3 to 4, on and on to perform whatever task they needed to do. They then can pivot from one server to the next without having to logout and the login to the next server. Imagine a sys admin logs into one server and performs a task. Or what if a malicious actor got a copy of Susan’s keys? Or someone else’s keys? There would be evidence of these things in SSH logs, but only if someone at Susan’s company is monitoring those SSH logs.Īnother very useful capability of SSH and the use of keys is the ability to pivot from one machine to the next. However, if nobody removes Susan’s keys from the servers, she still has access. Susan leaves the company, which doesn’t impact the servers at all. She used SSH keygen to generate keys and she now can login to the systems via Secure Shell. So, imagine Susan is a system admin and she has access to several servers. Īlso, remember how users can use keys rather than a password to login? These SSH keys never expire. When they become vulnerable bad guys can take advantage of that to do bad stuff. These algorithms change and as they age, they become more vulnerable. Knowledge is power, so let’s look at the most common SSH vulnerabilities so you can be sure your organization is protected from them! When SSH machine identities are properly secured, this can lead to key sprawl, lost keys, lack of policy enforcement, data breach, and much more. Win.September 18-19 | Las Vegas and Virtual#MIMSummit2023 Join top security leaders looking to redefine what’s possible at the must-see industry event of 2023.Early bird PricingProtecting your SSH certificates is vital to maintaining a secure and successful machine identity management program. Most Common SSH Vulnerabilities & How to Avoid Them | Venafi OpenCloseSearchProductsProductsControl Plane for Machine IdentitiesReduce the complexity of managing all types of machine identities across environments and teams. Control Plane OverviewTLS ProtectEliminate TLS certificate-related outagesSSH ProtectReduce security risks with fully managed SSH keysCodeSign ProtectAvoid shift left attacks with secure code signingTLS Protect for KubernetesSecure machine identity activity in Kubernetes clustersZero Touch PKISaaS-based, hassle-free enterprise PKIFireflyIssue trusted certificates at the speed of lightSolutionsSolutionsStop OutagesEliminate outages to apps, services and securityModernize with Speed & AgilityKeep pace with cloud native projects and DevOps teams Automate EverywhereSupport zero trust and modernization initiatives Prevent Misuse and CompromiseMonitor malicious use and enforce required policies ResourcesResourcesResource LibraryWebinarsVenafi BlogEventsSupportMachine Identity BasicsLearn all about PKI, encryption and much more Warrior CommunityA place for customers to connect, learn and shareVenafi AcademyProduct support and training for Venafi customersEcosystemEcosystemYour Innovation EngineFuture-proof machine identities across your infrastructureIntegrate with VenafiJoin forces with Venafi to safeguard the Global 5000Development FundHelp us future-proof the world's machine identitiesCompan圜ompanyLeadership TeamNewsroomCareersContact UsWhat is Machine Identity Management?Secure trust and confidentiality with digital certificatesWhy VenafiTrusted to secure and protect the world’s machine identities BlogContactLoginLoginSingle Sign-On AccessCustomer PortalWarrior CommunityVenafi Academ圜lient LoginTalk to an ExpertFree TrialSSH KeysMost Common SSH Vulnerabilities & How to Avoid ThemPosted on December 2, 2022 by Alexa HernandezInnovate. Use a sharp hot knife to cut, and then use a metal spatula to remove squares from pan. Cool to room temperature and pour on top of the white layer. Add 2 cups of boiling water and stir to dissolve. In a bowl, mix two boxes of red jello with 1 envelope of unflavored gelatin. While the white layer is setting, prepare the top layer. 2 days ago &0183 &32 The recipe for this pantry-friendly pasta calls for sour cream, with heavy cream, cream cheese and half-and-half listed as alternatives. Pour this milk mixture over the first layer of red jello. Add to the milk mixture and stir to combine. Let stand a few minutes and then add 1/2 cup of boiling water to dissolve the gelatin. Gelatin is a key ingredient in panna cotta, custard and cream pie fillings, and of course in gorgeous jiggly gelatin desserts that can be molded or layered. In a separate small bowl, sprinkle 2 envelopes of unflavored gelatin over 1/2 cup of cold water. In another bowl, mix sweetened condensed milk with 1 cup of boiling water. While the first layer is setting, prepare the white layer. Make sure to put it in a level spot in your refrigerator. Cool to room temperature and pour into a 9x13-inch glass pan that has been sprayed with nonstick spray. In a medium bowl, mix two boxes of red jello with 1 envelope of unflavored gelatin. You don’t want those pretty layers to mix! To make the recipe, you will start by preparing the different flavors and colors of gelatin separately and then cutting them into cubes once they are completely. Then another 30 minutes in the fridge before putting the top layer on. You will need to let the bottom layer set in the fridge for about 30 minutes before putting the middle layer on. red jello mix plus plain gelatin and water for the top layer.sweetened condensed milk and plain gelatin and water for the middle layer.red jello mix plus plain gelatin and water for the bottom layer.Is jello gluten free? Yes! This jello is gluten free, so it is great for a party or gathering where you might have those who don’t eat gluten. The only ingredients that you need for this recipe are red jello mix, plain gelatin, and sweetened condensed milk. I used sugar-free strawberry jello for the top and bottom layers, and a creamy sweetened condensed milk middle layer. And we do have another treat that is GREAT for kids to help with – our Valentine’s Day Pretzels! All Gelatin Recipes Ideas Glow-in-the-Dark Slime Gelatin Eggs Glowing Ice and Gelatin Holiday Mirror Glaze Poke Cake How to Make a Stars-and-Stripes. It is even a recipe that the kids can help make. So I came up with this super simple, non-time consuming form of layered finger jello – that still looks fantastic! This is a great and easy idea for a fun Valentine’s Day treat for school, home, or a Valentine’s Day party. what a fun treat it is for kids! I wanted to do a pretty layered finger jello, but was only seeing recipes with 5-8 layers. The other day, I realized that my almost-2-yr-old daughter had never had finger jello before. How to make finger jello for Valentines Day!
It does not replace the actual capturing of the image brackets. In the absence of one, try supporting yourself on a firm object to eliminate inconsistencies between frames.Īs much as possible, avoid the practice of manipulating a single RAW image’s exposure values (Highlight and Shadow) for HDR processing, as some people suggest. But you should note that Jpeg is only an 8-bit file.Ī tripod would give you unequaled consistency. However, if your camera doesn’t shoot in RAW, no worries, use Jpeg. Bottom-line: Shoot in Aperture Priority or Manual. This invariably means that you’re likely going to notice unwanted blurry images in the final composite. Altering the aperture value would affect the camera’s depth of field. But generally, 3 exposures are usually perfect!įor smarter and more accurate captures, you could set your camera’s Auto Exposure Bracket (AEB) and 2 stops + and. It all depends on how much contrast there is in your scene, then, of course, your preference. But it’s generally recommended that you take up to 5 different exposures (2 overexposed, one at “zero”, and 2 overexposed). Hence the need for this HDR photography tutorial.įirst, you’d need to capture your source images with your digital camera device. However extraordinary and efficient Photoshop’s HDR Merge is, you simply cannot just ‘dial’ the option – you require a roadmap. Photoshop’s “Merge to HDR” feature (on older versions) or “Merge to HDR Pro” (on newer versions) is an extraordinary tool that can be used to accomplish remarkable photo merge (of a series of bracketed exposures) into a single HDR image, thus encompassing the tonal detail of the entire series. There are some other apps capable of creating HDR, like Paintshop Pro, but now I’d be showing you how you can do your HDR in the Photoshop CS. In this HDR Photoshop tutorial, you’d be learning smart and practical steps on how you can use your Photoshop editing program to create stunning HDR images. Hence the need for the HDR photography technique which helps to ameliorate the shortcomings of your camera. This is because the natural human eyes are capable of accommodating a far larger range of tones than any camera possibly can, in a single photograph. When you’re at any location (work or pleasure day or night), your eyes are able to see and ‘feel’ all the light and dark details (maximum dynamic range) of the environment. Increasing a camera’s exposure value, for instance, implies that we’re sacrificing more details in the brighter region for the relatively darker one, and vice versa. Setting a camera’s exposure range ultimately means that we are sacrificing other elements of the captured image. This photographic technique makes available to professionals, and photo lovers, a whole new set of lighting possibilities which may have been previously avoided or thought unattainable – for technical reasons.Įssentially, a standard camera is limited in capability as far the amount of tonal detail (also known as the light intensity or dynamic range) it’s able to accommodate or capture. The High Dynamic Range imaging technique can be described an as-you-wish photography technology that makes it possible for photographers to capture a greater range of tonal detail (in bracketed shots) than could have been otherwise possible in a single image. Elizabeth Royte, author of Bottlemania: How Water Went on Sale and Why We Bought It contends that, like an iPod or a mobile phone, a bottle of water is “private, portable and individual”. In many ways, we can see that vapes have been marketed like bottled water. Consider the apple, mango or blueberry flavours of the “Elf bar” or the blue razz cherry flavour of the Lost Mary brand. It is very easy to see, with the bright colours and snappy, trendy phraseology of the names, why disposable vapes are attractive to young people. She has argued that disposable vapes and nicotine free vapes, considered to be something used by children before turning to nicotine vapes, should be banned outright. Rachel de Souza, the children’s commissioner for England, has requested that the advertising of vapes be radically altered and become similar in tone and format to the restrictions placed on the marketing of tobacco. With this in mind, it is little wonder that children’s groups are calling on government to take action. According to ASH, the number of 11–17-year-olds experimenting with vapes is up 50% in 2023, compared with last year. The Royal College of Paediatrics and Child Health has stated that “youth vaping is fast becoming an epidemic among children” and that e-cigarettes can be more addictive than traditional cigarettes. Indeed, there is much concern over the number of children and young people (40, up from 11 in 2021) admitted to hospital with lung problems and conditions relating to asthma. As ASH – Action on Smoking and Health – has stated, the number of e-cigarette users in Britain grew from around 700,000 in 2012 to 4.3 million in 2022.Īnd, if there wasn’t enough to worry the parents of teenagers in the UK, it was announced recently that the NHS was strongly warning of the dangers of young people vaping. It is a habit which is gradually sweeping the nation. For those not in the know, vaping is the inhaling, rather than the smoking, of nicotine through a handheld device. But only a small fraction of the workforce is unionized and most workers had little input into employers’ COVID-19 safety policies. In diverse workplaces, from automobile factories to Broadway theaters, unions and employers worked together closely to obtain safer conditions. Had telework not been available and executives and other office-based workers faced daily workplace exposure, greater priority might have been placed on making all workplaces safer. These workers, disproportionally from racial and ethnic minority populations and immigrants, were at higher risk of disease and death than remote workers. In contrast, workers in “essential” or public-facing jobs depended on their employers and government agencies for protection. These workers were responsible for protecting themselves. The lessons from the failure to protect workers during the COVID-19 pandemic can be helpful as the nation anticipates and prepares for the next public health emergency.Īt the pandemic’s onset, working from home became the norm for those who could work remotely. Nonetheless, COVID-19 has rarely been treated or tracked as an occupational disease by public health agencies, particularly in non–health care workplaces. Shared Decision Making and CommunicationĬOVID-19 is an occupational disease that sickened and killed countless workers in health care and long-term care, and in meat processing, agriculture, warehousing, transportation, corrections, and other “essential” industries.Scientific Discovery and the Future of Medicine.Health Care Economics, Insurance, Payment.Clinical Implications of Basic Neuroscience.Challenges in Clinical Electrocardiography. |
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